The Clinton Symphony Orchestra will be in concert at 7:30 pm on Saturday, April 27. Our featured guest will be pianist Lorraine Min. The concert will open with Franz Shebert’s Overture to Rosamunde. Please enjoy the following program notes written by William Driver.

Schubert – Rosamunde

Franz Peter Schubert (1797-1828) wrote the incidental music to the play Rosamunde, Princess of Cypress, for a friend Helmina von Chézy. Already ridiculed for her libretto to Carl Maria Weber’s Euryanthe, the Viennese critics likewise derided Chézy for the ineptness of her writing. The romantic drama made it through two performances with the only saving graces being the incidental music that Schubert composed for the venture. Despite the success of the music, Schubert saw little merit in arranging a suite from the music, but instead used some of the score in other works such as a string quartet.

Bits and pieces of the original score were published as independent works over the years, but a unified version of the complete incidental music (Gesammtausgabe) was not made available until after the discovery of the original manuscript by Arthur Sullivan and George Grove in a closet in Vienna in 1867. Breitkopf & Härtel issued the completed score in 1891.

Schubert wrote no specific overture for Rosamunde. Instead he dusted off an overture to his unperformed 1820 opera Alfonso und Estrella for the opening night of the play, but when the Rosamunde manuscript was published in 1891 as Op. 26, it was not with the Alfonso und Estrella Overture, which had actually introduced the play in the theater, but with a still earlier one which Schubert had composed in 1820 for a different play by a different writer, called The Magic Harp.

Thus, the Overture to Rosamunde may be said to have served a double duty for two independent works.

Schubert’s Overture to Rosamunde – Program notes